List of Splatter Movies
List of Splatter Movies
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Splatter films are also known as gore films. Splatter films are a subgenre of horror. They are characterized by their heavy use of graphic violence. Similar to the “shocksploitation” genre, their aim is to shock the audience with the imagery. The methods of killing in these films may be linked to motivations associated with cults. Because splatter films contain an excessive amount of gore—to the point of being surreal—they are produced not only as horror films but also as comedies. Some splatter films, however, are presented to audiences as horror-comedies.
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Bahadır Mahmut
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What does "gore" mean?
According to the Oxford Dictionary, it means “to wound a person or another animal with a horn or tooth.”
In the arts, particularly in cinema, the concept of "gore" refers to severed limbs, heads, dismembered and scattered body parts, and the copious amounts of blood that accompany them.
Gore in the Arts
In works displayed on walls, themes such as dismemberment or decapitation have found their place in depictions. Similarly, in literature, descriptions that could be classified as "gore" have been used.
Similar to its use in cinema, the concept of gore—in its most shocking form—has begun to find its place in painting alongside the most advanced techniques. Caravaggio’s work below is among the best-known examples of this.
In sculpture, particularly in the later period, the increasing variety and availability of materials have led to the creation of striking gore works.
However, gore has found its most widely accepted form in music. It is classified as a subgenre: goregrind. In addition, gore elements are prevalent in many other metal subgenres. Bands incorporate gore elements through various means, including lyrics, vocals, sound, music videos, album covers, artwork, and live performances.
Gore in Cinema
Due to its ability to depict movement, cinema and video were able to incorporate gore content on a much larger scale than other art forms from an early stage. This ability to convey movement is the primary reason. Consequently, it creates a high-level shock effect on the viewer, while the depictions created approach reality or reach a level indistinguishable from it.
Advances in special effects and makeup techniques have ensured that gore elements have become more dominant in films, both in terms of quality and quantity.
Changing sociological structures, the rise of independent cinema and B-movies, and the shift to video cassettes followed by digitization—which made film production and distribution more affordable—have made it easier for gore content to reach audiences. At the same time, even very low-budget gore films have begun to gain recognition due to the sense of shock their content creates. As a result, there are many gore films that have achieved “banned” or “cult” status.
The Classification of Gore Films
Gore films do not, strictly speaking, constitute a distinct subgenre within cinema. The term “gore” is generally used to describe specific scenes within a film. However, some films are categorized as gore films due to the number and length of their gore scenes, even if they do not fit into a specific genre. The most appropriate main category for the “gore” category is “extreme” cinema.
When evaluated at the genre level, some subgenres of exploitation cinema are further specified with the “gore” suffix due to the high number of gore scenes they contain. Gore thus moves beyond the level of individual scenes and is incorporated into a subgenre—such as splatter-gore or slasher-gore.
Since these concepts are similar to one another and are frequently used together, it is worth elaborating on them a bit further.
Splatter Film, Slasher Film, Gore Film
When gore elements extend beyond one or a few scenes to span a sequence or multiple sequences, the film is classified as a gore film. If the film in question is, for example, a splatter or slasher film, it may be referred to as a splatter-gore or slasher-gore film.
The scope of these two closely related genres is as follows.
Slasher Film
A subgenre of horror. Typically, these films feature a deranged killer using bladed weapons to murder an individual or a group of people. One of the most well-known examples is *Psycho* (1960).
Splatter Film
A subgenre of horror. It is characterized by a high level of graphic violence. The methods of killing may involve cult-related motivations. It differs in its camera movements and style. Films by George A. Romero serve as examples.
Gore Film
Gore films can be made within the horror genre or any other genre. Gore films are those in which the depiction of gore moves beyond being merely a narrative device and becomes integral to the story itself.
Although there are no specific terminological distinctions such as “slasher-gore” or “splatter-gore,” subgenres like Cannibal, Giallo (which is closely related to Slasher), and especially Mondo exploitation cinema contain gore elements comparable to—and sometimes exceeding—those found in Slasher and Splatter films.
The List of Cult Gore Films consists of various gore films across different genres and subgenres—many of which are considered cult classics, banned, or disturbing—that are closely associated with exploitation cinema within the realm of extreme cinema.
Best Of
Men Behind the Sun (1988)
Premutos: The Fallen Angel (1997)
Tetsuo: The Iron Man (1989)
Day of the Dead (1985)
Ichi the Killer (2001)
The Evil Dead (1982)
Re-Animator (1985)
Cannibal Holocaust (1980)
Riki-Oh: The Story of Ricky (1991)
Braindead (1992)
Selection List
Curator's Order
1. Saw (2004) – James Wan
On the cold floor of a dark, foul-smelling bathroom, two men chained together open their eyes. The lifeless body lying in the middle and the cassette player right next to it set the tone from the very beginning. This survival horror film from James Wan traps the viewer in a labyrinth-like nightmare with no way out. The rules set by the mysterious voice playing in the background are clear: the path to freedom lies through mind games and sacrifices that test human dignity. At every turn lies a new trap; in every memory that surfaces, there is a trace of another crime.
2. Tokyo Gore Police (2008) – Yoshihiro Nishimura
On the streets of a cyberpunk future patrolled by specialized law enforcement, the tough-as-nails police officer Ruka sets out to track down her father’s killers. In the city’s darkest corners, mutants known as “engineers”—who have transformed their wounds into deadly weapons—roam with vengeance. In this action-horror thriller by Yoshihiro Nishimura, as violence becomes routine, the streets turn into a veritable heap of iron and flesh. Ruka’s quest for vengeance intersects with screams echoing beneath the neon lights.
3. Murder-Set-Pieces (2004) – Nick Palumbo
It all begins in a dark studio room beneath the neon lights of Las Vegas. A serial killer hiding behind the guise of a fashion photographer engages in a savage dance of death with his victims, who fall into the lens’s view. This mindset, which preys on the city’s underclass, is fueled by his obsession with neo-Nazi ideology and the chaos created by the collapsing towers. Directed by Nick Palumbo, this horror-thriller experiment paints a disturbing picture in which practical effects truly come into their own. Completely pulling the viewer out of their comfort zone, the film presents an uncompromising and harsh portrait of crime, walking breathlessly through cinema’s darkest alleys.
4. The Burning Moon (1992) – Olaf Ittenbach
Through the haze of the poison he’s injected into his arm, the older brother whispers savage tales to his little sister instead of ordinary fairy tales. As the night settles into silence, Olaf Ittenbach turns his camera from the room to the dark streets and twisted minds. Treading the farthest frontiers of horror cinema, this film takes the audience on a journey into the minds of killers and obsessive clergymen. Visual violence and blood-soaked scenes signal the moment when those eerie tales told at midnight become reality.
5. Hobo with a Shotgun (2011) – Jason Eisener
A homeless man climbs down from rusty train tracks and walks through the city’s decaying streets. This dystopia, held captive by crime and violence, is suffocating under the grip of corrupt police and depraved street gangs. At every corner, a different form of brutality reigns. Armed with a shotgun he’s managed to get his hands on, he decides to mete out his own brand of justice. This crime and action-packed thriller, directed by Jason Eisener, brings the darkness rising from the city’s sewers and the concept of street justice to the screen with an uncompromising visual style.
6. Men Behind the Sun (1988) – Mou Tun-Fei
In the final days of World War II, a cold and disease-ridden laboratory lies abandoned behind the Japanese army stationed on Chinese soil. Mou Tun-Fei brings the darkest aspects of historical reality and inhumane experiments to the big screen. The wounds inflicted on the human body by war crimes and biological weapons testing transform what was once an ordinary military camp into a terrifying nightmare. The camera follows the screams of the remaining prisoners with a detached yet jarring detachment.
7. August Underground (2001) – Fred Vogel
The moment an unlabeled old videotape is inserted into the home VCR, it disrupts the entire balance of the dark room. This film by Fred Vogel uses a handheld camera aesthetic to draw the viewer into the darkest corners of two serial killers’ minds. The images flowing across the screen bring the raw, unfiltered reality of violence and depravity directly into the room. For anyone caught between looking away and continuing to watch the screen, this experience leaves a sense of unsettling reality—far removed from the safe comfort of a movie theater.
8. Premutos: The Fallen Angel (1997) – Olaf Ittenbach
The ordinary quiet of German suburbs is shattered by an old trunk found in the garden. This violent comedy-horror experiment, directed by Olaf Ittenbach, brings the nightmares of past lives into the present. As a young man’s mind fills with the dark legacy of the ancient fallen angel Premutos, an ordinary family celebration spirals into bloody chaos. This amateur parade of savagery, featuring a spectacle of red fluids and rotting flesh, offers a unique feast for those who venture to the fringes of cinema.
9. Guinea Pig: Devil's Experiment (1985) – Satoru Ogura
When the blurred and distant eye of the camera turns to the woman in the center of the room, the doors to the disturbing world created by Satoru Ogura open. Navigating the darkest folds of horror cinema, this short film takes place in a sterile torture room with no escape. The perpetrators behind the masks transform boundary-pushing acts of violence into a cold-blooded ritual. Obliterating the distance between both sides of the screen, this footage walks the dangerous line where reality and fiction blur. Trapping the audience between disgust and curiosity, this brutal experiment leaves behind an indelible visual scar.
10. Grotesque (2009) – Koji Shiraishi
Footsteps echoing in a dark room transform an ordinary evening into an unimaginable nightmare. A young couple is dragged into a twisted game with no escape, at the mercy of a surgeon whose mind has been completely consumed by darkness. In this terrifying work, Koji Shiraishi does not shy away from pushing the boundaries of cinema. One of the most intense examples of the horror and suspense genres, the film traps the viewer in a breathless and tense darkness. Prepare to confront the fears lurking in the farthest corners of your mind.
11. Chopping Mall (1986) – Jim Wynorski
A massive shopping mall where the neon lights are beginning to fade, and a group of young people trapped behind the rolling shutters. This blend of horror and science fiction, directed by Jim Wynorski, evokes the anxiety about the future that prevailed in the late ’80s through thick plastic cases and flickering screens. The shiny, metal-bodied robots, installed to serve as Park Plaza’s new guardians, suddenly transform into deadly weapons due to a malfunction in the main computer. Every mechanical step echoing through the steel corridors further narrows the struggle of the young people inside to make it out alive by morning.
12. Basket Case (1982) – Frank Henenlotter
Under the yellow glow of the streetlights, a young man clutching a large wicker basket strides along the sidewalks of New York. This horror comedy, directed by Frank Henenlotter, unfolds in the city’s dark and eerie back alleys. The secret carried within the basket holds not only the pain of the past but also a strange thirst for revenge, split in two by a surgical knife. Tracking the trail of an extraordinary bond in the frosty night, this grotesque partnership drags the viewer from seedy hotel rooms into a grotesque hunt for revenge.
13. Braindead (1992) – Peter Jackson
Set in the quiet neighborhoods of Wellington, this story begins with the life of Lionel, who is trapped in the shadow of an overprotective mother. A strange illness that silently spreads throughout the house after a bite from a peculiar monkey brought from Sumatra quickly spirals out of control. In this horror-comedy directed by Peter Jackson, everything from the soups in the kitchen to the lawnmowers in the yard sets the stage for a bloody chaos. As Lionel tries to hide the zombie nightmare unfolding around him, the house turns into a grotesque slaughterhouse.
14. Riki-Oh: The Story of Ricky (1991) – Lam Nai-Choi
In the privatized prisons of 2001, justice has long since been left behind behind bars. While a slave-like system operates within the walls, every new prisoner who ends up here is doomed to be crushed between the cogs of the system. Riki, a young fighter with superhuman strength, is determined to break this ruthless cycle created by corrupt prison administrators. Directed by Lam Nai-Choi, this action-horror hybrid completely shatters the modern perception of prisons. With its scenes of extreme violence and uncompromising visual style, the film presents the audience with a dark struggle for survival. The harshest and most uncompromising form of martial arts echoes relentlessly within these concrete walls.
15. Cannibal Holocaust (1980) – Ruggero Deodato
The tin cans left behind by a documentary crew that vanished in the humid and eerie depths of the Amazon rainforest bring to light the dark side of humanity, which claims to be civilized. Directed by Ruggero Deodato, this horror film goes beyond a mere rescue mission, plunging the viewer into the heart of the swamp and savage rituals. This found-footage film, which shows how boundaries dissolve while the camera is rolling, leaves the viewer alone in an eerie landscape where civilization clashes with the primitive.
16. Re-Animator (1985) – Stuart Gordon
The dim lights flickering in Miskatonic University’s morgue are a harbinger of an eerie presence lurking in the medical school’s hallways. This film, brought to life by Stuart Gordon, masterfully blends science fiction with dark humor in a laboratory setting. As a young medical student tests his dangerous serum—which pushes the boundaries of death—on fresh corpses, he drags everyone in the room into an inescapable descent into madness. A chain of absurd events, accompanied by the cold clang of surgical instruments, is on the verge of spiraling out of control. As secrets hidden in dark rooms come to light, these mad experiments—which defy the laws of nature—are poised to break free from the hospital’s walls.
17. The Evil Dead (1982) – Sam Raimi
That dilapidated wooden cabin in the middle of the forest quickly turns five teenagers’ weekend getaway into an eerie nightmare. Directed by Sam Raimi, this horror classic begins with an old audio tape emerging from the basement and a cursed Sumerian book. The gloom seeping into the walls is a harbinger of a dark force that slowly takes hold of the young people’s minds. In this dilapidated place, cut off from the outside world, even nature turns its back on them. Every corner is filled with an ancient threat waiting to awaken in the darkness of the night.
18. The Deadly Spawn (1983) – Douglas McKeown
A meteorite that crashes into the forests of New Jersey turns a quiet night at camp into a terrifying nightmare. Directed by Douglas McKeown, this horror-science fiction thriller follows alien parasites that emerge in the heart of nature and begin to overrun homes and the town. These creatures, multiplying underground and in basements, turn the teenagers’ struggle for survival into a relentless chase. The dark atmosphere that envelops the screen leaves classic creature invasion clichés behind, trapping the viewer in a claustrophobic tension.
19. Day of the Dead (1985) – George A. Romero
A handful of people fleeing Florida’s sweltering heat find themselves trapped in a concrete shelter as the living dead take over the world. In this drama and horror thriller directed by George A. Romero, the apocalypse and zombie invasion outside drive the tension inside the shelter higher with each passing day. Caught between military discipline and scientific reason, the group begins to lose their sanity in the dark corridors.
20. Ichi the Killer (2001) – Takashi Miike
Tracking down a yakuza leader who has vanished into the streets of Kabukicho propels Kakihara into a quest that pushes the boundaries of pain. In this crime-horror thriller directed by Takashi Miike, the darkness of the underworld clashes with neon lights. Kakihara is about to encounter Ichi, a psychotic killer who might offer him the unique sensation he seeks. Knives, piercings, and ruthless violence set the stage for this encounter. These streets, where anarchic humor and violence intertwine, leave the viewer in the midst of an eerie darkness. In this world where no rules apply, the lines between prey and predator are completely blurred.
21. Tetsuo: The Iron Man (1989) – Shinya Tsukamoto
The smell of rust and that inevitable moment when metal meets flesh transform into a dark cyberpunk nightmare through Shinya Tsukamoto’s lens. The shrill sounds echoing through the streets and the black-and-white imagery bring the modern human’s trial by steel to the screen in its rawest form. A man going about his routine after an ordinary workday realizes his body is transforming from the inside out into a mass of iron. This bizarre transformation is a sickening cycle triggered by a grotesque obsession that gnaws at both his mind and flesh simultaneously. This industrial storm, straddling the boundaries of horror and science fiction, plunges the viewer into the very heart of a harsh and merciless dystopia. In this world where metal pierces flesh, escape means only sinking deeper.
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