Exploitation Networks
49 exploitation subgenres, tagged from one shared pool of 59 tags across 6 axes: what is exploited, production and market, narrative pattern, what the viewer is offered, political charge and setting. Pick tags from the pool; both lenses read the same selection.
49
subgenres
59
tags
6
axes
327
tag assignments
Tag pool
What is exploited
Production and market
Narrative pattern
Offered to the viewer
Political charge
Setting and institution
Network
Matrix
similarity threshold
0.26
178 links · 1 isolated
Each node is a subgenre: its colour is the axis most of its tags belong to, its size the number of tags. A link is drawn when the Jaccard similarity of two tag sets clears the threshold, and thickens with similarity. The network is live: drag a node and its neighbours follow, let go and it settles again. Hover for a summary, tap to open the card below.
Tap a node or a row name and that subgenre’s profile opens here.
Subgenres and their tags
1930s and 1940s Cautionary (United States, 1930–1950): drugs, sexuality, moralism / sermon, youth, nudity, educational pretext, censorship battles, low budget.
Actionploitation (Worldwide, 1978–1995): violence, adrenaline, vigilante justice, imitation / knock-off, VHS, low budget, direct-to-video / TV.
Biker (United States, 1966–1976): road and highway, counterculture, violence, youth, sexuality, adrenaline, drive-in, low budget.
Blaxploitation (United States, 1970–1979): race politics, the ghetto, vigilante justice, violence, sexuality, revenge, grindhouse, low budget.
Britsploitation (United Kingdom, 1968–1980): sexuality, comedy / parody, class and poverty, nudity, censorship battles, national cinema, low budget.
Bruceploitation (Hong Kong, Taiwan, South Korea, 1973–1985): imitation / knock-off, combat, death, dubbing and re-editing, adrenaline, low budget.
Cannibal (Italy, 1972–1988): the jungle, disgust, colonialism, blood and dismemberment, animals, exoticism, survival, censorship battles, shock.
Canuxploitation (Canada, 1974–1984): national cinema, low budget, mystery / serial murder, violence, VHS, direct-to-video / TV.
Carsploitation (United States, 1965–1985): road and highway, adrenaline, escape, violence, drive-in, low budget.
Category III (Hong Kong, 1988–today): blood and dismemberment, sexuality, true crime, violence, shock, censorship battles, national cinema.
Catsploitation (Worldwide, —): animals, monster / creature, comedy / parody, low budget, VHS.
CGIsploitation (United States, 2000–today): monster / creature, imitation / knock-off, direct-to-video / TV, comedy / parody, apocalypse, low budget.
Chambara (Japan, 1954–1980): combat, blood and dismemberment, revenge, violence, national cinema, adrenaline.
Chopsocky (Hong Kong, 1968–1983): combat, dubbing and re-editing, adrenaline, revenge, grindhouse, low budget.
Christploitation (United States, 1970–today): religion, moralism / sermon, apocalypse, shock, direct-to-video / TV, low budget.
Eschploitation (United States, 1972–today): apocalypse, religion, moralism / sermon, cold war, shock, low budget.
Giallo (Italy, 1963–1982): mystery / serial murder, eroticism, blood and dismemberment, the female body, violence, national cinema.
Giantexploitations (Japan, 1954–today): monster / creature, the metropolis, apocalypse, adrenaline, national cinema, low budget.
Hippie Exploitation (United States, 1966–1972): drugs, counterculture, youth, sexuality, nudity, drive-in, low budget.
Hixploitation (United States, 1964–1990): the backwoods, class and poverty, comedy / parody, violence, drive-in, low budget.
Jewsploitation (Worldwide, —): religion, comedy / parody, race politics, revenge, fascism, imitation / knock-off.
Macaroni Combat (Italy, 1967–1980): battlefield, violence, fascism, imitation / knock-off, adrenaline, national cinema, low budget.
Martial Arts (Asia, 1971–today): combat, revenge, adrenaline, violence, national cinema, VHS.
Mexploitation (Mexico, 1957–1995): combat, monster / creature, comedy / parody, imitation / knock-off, national cinema, low budget.
Mockbuster (United States, 1980–today): imitation / knock-off, direct-to-video / TV, low budget, monster / creature, comedy / parody, VHS.
Mondo Shockumentary (Italy, 1962–1995): mondo documentary, shock, death, exoticism, colonialism, disgust, animals, true crime.
Monster (Worldwide, 1971–today): monster / creature, survival, stalking and pursuit, blood and dismemberment, shock, low budget, VHS.
Nazisploitation (Italy, 1969–1980): concentration camp, the female body, fascism, sexuality, violence, shock, censorship battles, low budget.
Ninja (United States, Hong Kong, 1980–1990): combat, imitation / knock-off, dubbing and re-editing, exoticism, adrenaline, VHS, low budget.
Nudist (United States, 1933–1965): nudity, educational pretext, censorship battles, sexuality, mondo documentary, low budget.
Nunsploitation (Italy, 1969–1986): convent / church, religion, the female body, sexuality, institutional critique, violence, censorship battles.
Ozploitation (Australia, 1971–1989): road and highway, the backwoods, survival, violence, adrenaline, national cinema, low budget.
Pinku Eiga (Japan, 1962–1990): sexuality, the female body, eroticism, nudity, violence, censorship battles, national cinema, low budget.
Pornochanchada (Brazil, 1968–1985): sexuality, comedy / parody, nudity, class and poverty, censorship battles, national cinema, low budget.
Rape and Revenge (Worldwide, 1972–today): revenge, the female body, female rage, sexuality, violence, shock, the backwoods, censorship battles.
Redsploitation (United States, 1969–1985): race politics, colonialism, revenge, violence, vigilante justice, low budget.
Sexploitation (United States, 1959–1979): sexuality, nudity, eroticism, the female body, grindhouse, censorship battles, low budget.
Sharksploitation (United States, 1975–today): the sea, monster / creature, survival, imitation / knock-off, adrenaline, direct-to-video / TV.
Slasher (United States, 1974–today): stalking and pursuit, death, blood and dismemberment, youth, violence, shock, VHS, low budget.
Spacesploitation (United States, 1968–1990): outer space, imitation / knock-off, monster / creature, apocalypse, adrenaline, low budget.
Spaghetti Western (Italy, 1964–1978): frontier town, revenge, vigilante justice, violence, national cinema, adrenaline.
Splatter (Worldwide, 1963–today): blood and dismemberment, disgust, death, violence, shock, censorship battles, low budget.
Stoner (United States, 1978–today): drugs, comedy / parody, counterculture, youth, road and highway, VHS.
Teensploitation (United States, 1955–1990): youth, school, sexuality, comedy / parody, drive-in, low budget.
Turkish Sexploitations (Turkey, 1974–1980): sexuality, nudity, comedy / parody, censorship battles, national cinema, low budget.
Turksploitation (Turkey, 1953–1985): imitation / knock-off, national cinema, low budget, combat, monster / creature, comedy / parody, dubbing and re-editing.
Vigilante (United States, 1971–today): vigilante justice, revenge, the metropolis, violence, institutional critique, adrenaline.
Women in Prison (United States, Spain, 1969–1990): prison, the female body, institutional critique, sexuality, violence, escape, eroticism, censorship battles.
ZAxploitation (South Africa, 1973–1994): race politics, colonialism, the ghetto, violence, national cinema, low budget.